huge classix in da house

huge classix in da house with underworlds famous rez track

huge classix in da house incl great kevin saunderson (reese), funky green dogs - fired up (danny tenaglia twilo mix)

huge classix in da house

huge classix in da house with tracks from robin s, crystal waters & andreas mendez

huge classix in da house

huge classix in da house

excellent funky house

brill original styled disco house banger !!

monster compilation with rare classic tracks: moby - go, wishmountain - radio, sven väth - design music (si begg s.i. futures renmix), metro area - miura

excellent 2x12inch vinyl-set with house remixes by jj flores, roy davis, kriya & velez...

classic chicago acid tracvks from 1987 !! a must have collectors item

sensual kicking electroid tech-trax

ultraphat classic chicago basement acid tracks !!!

ultraphat classic chicago basement acid tracks !!!

ultraphat classic chicago basement tracks !!!

ultraphat classic chicago basement acid tracks by robert armani & paul johnson & m. bernard!!!

new remixes !!

very cool defected sounding groovy house...........peak time monster // incl eric prydz rmx

original from 1989+jef k & chris carrier rx

classic alert ! big with deepswing - in the music, joe smooth - promised land, fused - saving mary

classic alert ! big with kosheen - hide u (john creamer & stephane k mix), db boulevard - point of view, madison avenue - dont call me baby

slammin percussive filtered techno !! in the charts of chris liebing, marco bailey, technasia, adam beyer, ben sims,....

3 progressive classics …goldtrix - it s love (trippin), cut la roc - freeze, dj spud - set it off

brill deeper funky latin tune

smashin 3 track ep with all time house classix

brill 3 track classic house compilation with roger sanchez-another chance, paul johnson - get get down, david morales - needin u

3 clsssic house cuts , modjo - lady, mirwais - naive song, didier sinclair - lovely flight

3 classic house cuts …coloursound - fly with me, moloko - sing it back (boris dlugosch rmx), x-press 2 - lazy !!

3 classic house cuts, tori amos - professional widow, armand van helden - the funk phenomena, basement jaxx - fly life

classic alert !! with cj bolland (armand van helden remix), raze, kevin saunderson & santonio (kms - detroit)

classic alert…big ibiza burner >> pete heller - big love, duke - so in love wirth you, billie ray martin - your loving arms

classic alert!! 2x josh wink tracks 1x faithless !!

hard banging clubtech trax

back in 1991, top hip house anthem by robert clivilles & david cole, real classic

ultraphat outstanding monstertune inelectro !!!...vocals by carl a finlow & adult

repress !! excellent retro electro tech !!

classic, limited repress …steve rachmad (sterac, igancio) production !!

phat kickin technotrax ! the hits! // repress

brill and nice sounded vocal smasher !!!

amazing neo pop monsterÓincl remixes by tok tok & dj koze von hart bis zart !!!

2nd full length album by gavin guthrie aka tx connect (previous releases on ceme organization and l.i.e.s.). influenced by a diverse background of italo, acid, horror soundtracks, industrial and ebm, gavin crafts dance floor stompers using analog tools and tape. not only a producer, he s also a reputed dj and head honcho at texas recordings underground (tru) record label. spread over 2 lps, these 10 tracks will be atomic bombs in your next dj set but could just as easily be the soundtrack to your next cerebral vacation. all tracks carefully mastered by martin bowes. limited edition.

entropy trax, is the new sister label to kompakt s walls helmed ecstatic imprint. expect limited edition hand artworked white-label 12-s from a variety of artists, focussed on experimental dance floor sounds. the debut release comes from dfa s gavin russom (the crystal ark/black meteoric star) with a titanic double-header that announces the first of a series of releases for the label. recording under his own name for the first time since 2011 s night sky , this material finds russom creating visceral and hypnotic dance floor tracks

a classically trained pianist from the age of six, jarrah mccleary grew up in the sticky heat of the northern territory, australia. his previous project, the dirty secrets saw the band working between australia and london with iconic producer and engineer, nick terry (klaxons, libertines). after working on ideas for a new record for over two years, in early 2011, mccleary declared a new album and boarded the airplane, bound for los angeles. between splashes of yacht rock, trop-pop and nods to peter gabriel (thanks to the iconic 80s yamaha dx7 synth), a short summer experience in the city where dreams are made lead to tracks tinged with hints of hopeful house music strewn with the sleaziness of venice beach and too much free poured tequila. and so, panama was born. magic is a modern summer anthem. and what better way to celebrate the party season than some bonus remix action by the worlds most avid dance enthusiasts? the sydney-based quartet join forces with dfa heavyweights and panama fans, midnight magic and gavin russom (the crystal ark) on remixing duties for their debut release.

they may have grown up in different generations on different sides of the atlantic, but one thing detroit master delano smith and irish up and comer gavin herlihy share in common is a disregard for boundaries. deftly slipping between the definitions of house and techno, both have carved names for themselves by ignoring the laylines of either genre to imprint their own inimitable stamp on dance music. on krypton factor the pair link talents to deliver an ep that is typically irreverent of trends or genres.

track 5, a previously unreleased single meant for >the days of mars< album, but ultimately deemed out of place on the record, begins with the slow reveal of a repeating electronic ring atop a rising, falling, sine-curving synth. with each additional layer—a piercing, urgent synthesizer, a deep, continuous, ever-expanding rumble, the sound of a guitar, awash in reverb—the atmosphere thickens. its both restless and placid, anxious and tranquil. just over ten minutes in length, the track closes with a chorus of high-pitched synths that fade to a sparse, darkened end. this 12-inch, very likely gonzalez and russoms last, also features a remix from Âme, comprised of germanys kristian beyer and frank wiedemann. the house duo wholly transforms the a-side into a track so unrecognizable it seems brand new, taking it far from the introspective dreamworld to a dance party in the sweaty, blissed-out, wee hours of the morning

gavin herlihy has long been one of dance musics most respected journalists and djs, and with two acclaimed releases on mood music last year and more recently a brace of top-drawer remixes for unkle and alexkid, hes fast becoming one of its hottest producers. freshly relocated to berlin, his debut 12inch for kindisch, >opium haze<, confirms his status as a skilled and innovative player on the house and techno scene. >opium haze< is as heady and intoxicating as its title implies, an effortlessly psychedelic piece of music thats nonetheless firmly rooted on the dancefloor. it begins with a clicky, funked-up conga tattoo cloaked in disorienting effects which partly obscure the jazzy melody rising up from the mixs depths. out of that sticky, dubby fug emerges an insistent, upward-tripping piano line and synthesized string stabs - together forming the kind of rave-ready hook that will cause immediate damage in the club. herlihy is superbly heavy on the edit, using an eastern woodwind sample, disembodied voices and various percussive elements to deliver build after build, drop after explosive drop. >opium haze< is a hugely satisfying piece of music, and a club anthem-in-waiting. >professional exit< is a more stripped-down but no less accomplished affair, driven by a warm, rippling bassline and phased electronics. before the percussion intesifies and interlocks, offsetting a sparse one-note synth line which hangs in the air, thickening it with understated drama. at once seductive and unsettling, experimental and club-oriented, >professional exit< is indeed a professional end to a highly professional 12inch